Some assorted stuff today. Again, I would have finally typed up my prom post, but I un-gave up on getting the other pictures I was missing because my english teacher said she’d want a copy of the picture I got with her, so that will come SOME DAY MAYBE OR MAYBE I SHOULD JUST MAKE A POST WITH WHAT I’VE GOT, I DON’T KNOW. I guess if I don’t do it tomorrow, it’ll be so late as to be useless. Two weeks late is a bit much. I’ve already got today’s post planned out, so oh well!
First is an interview with Polar Bear Club, which is cool because they discuss how they’ve been helped by the advertising power of the internet, rather than hurt by music piracy, but the real highlight for me is this story:
Your new album is coming out on Red Leader Records this month. Where did the name “Sometimes Things Just Disappear” come from?
We were in the studio and having a really tough time coming up with a memorable/cool/meaningful name that we could all agree on. Actually, pretty much the only thing we EVER agree on is that Taco Bell rules. So we were well in the midst of a competition amongst ourselves that we affectionately dubbed the “Taco Bell Challenge,” during which we all tried to eat one of every single item on the menu over the course over our studio time. As you could probably guess, no one finished and we were all pretty miserable for having tried. But one of the days when some of the guys went to order some tacos, they had a really huge order and were a little short on money, and they had a pretty awkward encounter with a really slick 17 year-old manager guy in a suit who turned out to be one of the best individuals any of us have ever encountered. Our old bass player, Greg, was trying to order his Mexican Pizza and was surprised at the price, and told the manager he was short…to which our hero replied, “you know what? Sometimes things just disappear…” and proceeded to take out a mysterious card and swipe it, giving Greg all of his food for free. Manager dude…if you read this, we love you, and sorry if this gets you fired.
I wish I could be slick 17-year old manager guy who’s comfortable enough with his job that he can do whatever the hell he wants. I do not wish to fail to have that job, however, and so I won’t go looking for it.
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Next up is an article about how pirating books hurts the industry. In the middle, when she mentions what happens when a publishing house loses money, that scares me. Not having money means they can’t continue to make money, which basically means bad things in the future unless they get really lucky, and I don’t want that to happen to any of the series, authors, or publishers I really like.
Then the part about the money she actually makes scares me, because it makes me terrified about the prospect of ever living off of my writing, which I never honestly planned to do, but it was nice to think I had the option! She says she “wrote rough drafts, then did edits (in one case, grueling edits), copy edits, and final pass edits. I wrote back copy and front copy, and acknowledgements and dedications. I maintained a website, I blogged, I did copious interviews, I ran contests, I travelled and spoke at whatever convention would have me. I Tweeted, and Facebooked, and paid for a launch party, swag, and postage for review copies and bookplates.” For $25,000. Three books, if you have never in your entire life read a book, is a lot of writing. Many authors I read release at most a book every year, though perhaps theirs are much longer than hers, and perhaps as well their niche is a much stronger one.
I can’t imagine I would magically become a Steven Erikson or a Robert J. Sawyer overnight, and from some of the other things I read the day I found this about how brutal it is being an author who doesn’t sell hundreds of thousands of copies (have I posted that stuff? I don’t even know, man) I find myself no longer considering writing novels as a career. Writing as part of a greater project, where my work is part of a whole and I’ll still get paid relatively well if nobody buys the product, is still an option, but you can’t just stumble onto those jobs and unfortunately my chance to be Anthony Burch has already passed.
Then there’s how getting paid an advance actually works. “For keep in mind that an advance is just that: an advance on royalties. So I won’t make another penny on my first three novels until I pay back my advance.” Got that? You get paid with a loan. Then, some day, if you become rich and famous, you get some actual money of your own. Until then, you will sweat blood and books for your masters. However, the internet, as shown by the Polar Bear Club interview, offers many wonderful opportunities for alternative means of success. Perhaps I could sell e-books of my novel to generous strangers until I make enough money to print them off out of my own pocket and make something of a profit. Perhaps I could give my books away and ask for donations. Maybe a major change to the publishing industry is looming on the horizon, waiting to be unleashed the day I get the freedom to write for a living. Who knows?
The ordeal involved to become a famous author only gets worse, according to the rest of the post, but it’s all there if you want to read it. The main subject is, vaguely, piracy, and so my responses to what she’s said follows.
I’m one of those people that will go into their local bookstore and actually look for books to buy. I’ve spent many hundreds of dollars on books, and I don’t regret any of it. I don’t expect much for my $15-30. I want, essentially, 2-4 hours worth of entertainment. It’s what I paid for. Generally, I get more than that. That’s awesome. I often buy random books and continue to read everything that author writes until I accidentally forget they exist. I bought The Sleeper Awakes by H.G. Wells because a couple of songs I have reference it, even though Project Gutenberg has it for free. In the future, I plan to read through the “1001 books to read before you die” and, if I can, own many of them. I also plan to have a somewhat impressive collection of books with which to intimidate future acquaintances.
I have, however, pirated two series of books. One is the Haruhi Suzumiya books, only a few of which are translated officially, and I get the impression they’re not amazing anyway? I’d have a hard time tracking them down and a harder time reading them in public because they’re all fluffy looking. So I suffer through a terribly translated .pdf and it’s ok because I don’t know if I’d get $10-15 worth of neat out of them. The other thing I’ve downloaded is all of the Discworld books, all 30-something of them, and like the Haruhi books they’re pretty short and stuff. They’d probably run me like $10 each - nearly $400 - for like 100-200 pages each I think? Maybe 300, I don’t know.
But I can get a trilogy of Drizz’t books for $30, which is easily 1000+ pages - i.e. a fair bit more value. If I were buying books, Discworld would be at the very bottom of my list. Like all the music I’ve pirated, I likely would never have paid any money for those things. I don’t need them, and in fact I haven’t read through any of the books I’ve downloaded. I don’t have an ebook reader, and I have a hard time sitting down to read a 200 page .pdf file in front of my monitor. So the fact that I downloaded those books just shows a slight interest on my part, and if it turns out that I’m wrong, and these books are books I would be proud to own and display - I will gladly go out and buy them, no matter how hard they are to find.